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<title>Jared Goss</title>

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<h1 id="firstHeading" class="firstHeading mw-first-heading"><span class="mw-page-title-main">Jared Goss</span></h1>

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<div id="mw-content-text" class="mw-body-content mw-content-ltr" lang="de" dir="ltr"><div class="mw-content-ltr mw-parser-output" lang="de" dir="ltr"><p><b>Jared du Pont Goss</b> (* <a href="17._November" title="17. November">17. November</a> <a href="1966" title="1966">1966</a> in <a href="San_Francisco" title="San Francisco">San Francisco</a>) ist ein US-amerikanischer <a href="Kunsthistoriker" title="Kunsthistoriker">Kunsthistoriker</a>, <a href="Kurator" title="Kurator">Kurator</a> und <a href="Sachbuchautor" class="mw-redirect" title="Sachbuchautor">Sachbuchautor</a>.

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<div class="mw-heading mw-heading2"><h2 id="Leben">Leben</h2></div>

<div class="mw-heading mw-heading3"><h3 id="Familie">Familie</h3></div>

<p>Jared Goss ist der Sohn des <a href="Investmentbank" title="Investmentbank">Investmentbankers</a> Richard Wayne Goss II. (1933–2015) und der Michele du Pont Goss.<sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup> Er ist ein Neffe des 19. <a href="Director_of_Central_Intelligence" title="Director of Central Intelligence">Director of Central Intelligence</a> <a href="Porter_Goss" title="Porter Goss">Porter Goss</a>. Seine Mutter entstammt der <a href="E._I._du_Pont_de_Nemours_and_Company" title="E. I. du Pont de Nemours and Company">Familie du Pont</a>.<sup id="cite_ref-Sullivan_2-0" class="reference"><a href="#cite_note-Sullivan-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup>

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<div class="mw-heading mw-heading3"><h3 id="Werdegang">Werdegang</h3></div>

<p>Jared Goss wuchs in San Francisco auf.<sup id="cite_ref-Sullivan_2-1" class="reference"><a href="#cite_note-Sullivan-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> Während seiner Schulzeit besuchte er das Internat<sup id="cite_ref-3" class="reference"><a href="#cite_note-3"><span class="cite-bracket">[</span>3<span class="cite-bracket">]</span></a></sup> <i>Fessenden School</i> in West Newton, <a href="Massachusetts" title="Massachusetts">Massachusetts</a>.<sup id="cite_ref-4" class="reference"><a href="#cite_note-4"><span class="cite-bracket">[</span>4<span class="cite-bracket">]</span></a></sup> Er schloss sein Studium der Architekturgeschichte an der <a href="University_of_Virginia" title="University of Virginia">University of Virginia</a> als Bachelor ab. Seinen Master-Abschluss über die Geschichte der dekorativen Künste erreichte er an der <a href="Cooper_Hewitt%2C_Smithsonian_Design_Museum" title="Cooper Hewitt, Smithsonian Design Museum">Cooper Hewitt, Smithsonian Design Museum</a>/<a href="Parsons_School_of_Design" title="Parsons School of Design">Parsons School of Design</a>.

</p><p>Nach seinem Studium arbeitete er als Assistenz-Kurator in der Abteilung für europäische dekorative Künste und Skulptur des <a href="Fine_Arts_Museums_of_San_Francisco" title="Fine Arts Museums of San Francisco">Fine Arts Museums of San Francisco</a>.<sup id="cite_ref-adafca_5-0" class="reference"><a href="#cite_note-adafca-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> Danach war er über 20 Jahre<sup id="cite_ref-Sullivan_2-2" class="reference"><a href="#cite_note-Sullivan-2"><span class="cite-bracket">[</span>2<span class="cite-bracket">]</span></a></sup> als <i>Associate Curator</i> für moderne und zeitgenössische Kunst am <a href="Metropolitan_Museum_of_Art" title="Metropolitan Museum of Art">Metropolitan Museum of Art</a> in <a href="New_York_City" title="New York City">New York City</a> tätig. Hier war er an den Ausstellungen <i>Charles Rennie Mackintosh</i> (1996), <i>Cartier: 1900–1939</i> (1997) und <i>American Modern, 1925–1940: Design for a New Age</i> (2000) beteiligt. Er kuratierte die Ausstellungen <i>Ruhlmann: Genius of <a href="Art_d%C3%A9co" title="Art déco">Art Deco</a></i> (2004) und <i>Barcelona: Gaudi to Dali</i> (2007). Im Jahr 2007 schloss er die Installation des von <a href="Lucien_L%C3%A9vy-Dhurmer" title="Lucien Lévy-Dhurmer">Lucien Lévy-Dhurmer</a> um 1910 entworfenen <i>Wisteria</i>-Esszimmers ab, ein Raum mit originaler Einrichtung im französischen <a href="Jugendstil" title="Jugendstil">Jugendstil</a>, einmalig im amerikanischen Raum.<sup id="cite_ref-adafca_5-1" class="reference"><a href="#cite_note-adafca-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup> Seine Ausstellung <i>Masterpieces of French Art Deco</i> (2009) bildete die Basis für sein Buch <i>French Art Deco</i> (2014), in dem er den betreffenden Bestand des Museums katalogisierte.<sup id="cite_ref-6" class="reference"><a href="#cite_note-6"><span class="cite-bracket">[</span>6<span class="cite-bracket">]</span></a></sup> Er ist Mitglied des Vorstands der <i>Art Deco Society of New York</i><sup id="cite_ref-7" class="reference"><a href="#cite_note-7"><span class="cite-bracket">[</span>7<span class="cite-bracket">]</span></a></sup> und des <i>Institute of Classical Architecture & Art</i> (ICAA).<sup id="cite_ref-8" class="reference"><a href="#cite_note-8"><span class="cite-bracket">[</span>8<span class="cite-bracket">]</span></a></sup> Goss arbeitet heute als unabhängiger Kunsthistoriker.<sup id="cite_ref-adafca_5-2" class="reference"><a href="#cite_note-adafca-5"><span class="cite-bracket">[</span>5<span class="cite-bracket">]</span></a></sup>

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<div class="mw-heading mw-heading2"><h2 id="Publikationen_(Auswahl)"><span id="Publikationen_.28Auswahl.29"></span>Publikationen (Auswahl)</h2></div>

<ul><li><a rel="nofollow" class="external text" href="https://sites.google.com/site/artdecodesignsubjectguide/home/articles"><i>Ruhlmann, Art Deco Designer.</i></a> In: Magazine Antiques 166.1, 2004, S. 68.</li>

<li><cite style="font-style:italic">French Art Deco</cite>. Hrsg.: <a href="Metropolitan_Museum_of_Art" title="Metropolitan Museum of Art">Metropolitan Museum of Art</a>. Yale University Press, New Haven 2014, ISBN 978-0-300-20430-8 (<a rel="nofollow" class="external text" href="https://books.google.de/books?id=6PtrBAAAQBAJ">eingeschränkte Vorschau</a> in der Google-Buchsuche [abgerufen am 27. Mai 2020]).<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rfr_id=info:sid/de.wikipedia.org:Jared+Goss&rft.au=Jared+Goss&rft.btitle=French+Art+Deco&rft.date=2014&rft.genre=book&rft.isbn=9780300204308&rft.place=New+Haven&rft.pub=Yale+University+Press" style="display:none"> </span></li>

<li>Audiobeitrag: <a rel="nofollow" class="external text" href="https://www.metmuseum.org/connections/chic/"><i>Connctions/Chic.</i></a> In: Metropolitan Museum of Art, New York City 2014.</li>

<li><a rel="nofollow" class="external text" href="https://www.artdeco.org/jared-goss"><i>What is Art Deco?</i></a> In: Art Deco New York Journal, Band 1, Ausgabe 1, Art Deco Society of New York, New York City 2016, S. 2.</li>

<li>Mit Laure Verchère: <i>Jean-Michel Frank.</i> Assouline, 2018, ISBN 1-61428-552-7.</li>

<li><a rel="nofollow" class="external text" href="https://www.classicist.org/articles/top-museums-in-america-for-the-icaa/"><i>The Top Museums in America for the ICAA.</i></a> In: Institute of Classical Architecture & Art vom 19. Mai 2020</li></ul>

<div class="mw-heading mw-heading2"><h2 id="Weblinks">Weblinks</h2></div>

<ul><li>Rachel High: <a rel="nofollow" class="external text" href="https://www.metmuseum.org/blogs/now-at-the-met/2015/french-art-deco"><i>Discussing the Rise of French Art Deco with Author Jared Goss.</i></a> Now at The Met, Metropolitan Museum of Art, New York City vom 29. April 2015.</li>

<li>Fotografie von <a rel="nofollow" class="external text" href="https://www.artnet.com/magazineus/people/fruehauf/fruehauf11-15-23.asp"><i>Jared Goss.</i></a> In: <a href="Artnet" title="Artnet">artnet</a>, 2007.</li></ul>

<div class="mw-heading mw-heading2"><h2 id="Einzelnachweise">Einzelnachweise</h2></div>

<li id="cite_note-1"><span class="mw-cite-backlink"><a href="#cite_ref-1">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.legacy.com/obituaries/sfgate/obituary.aspx?n=richard-goss&pid=177006187"><i>Richard Goss 1933–2015.</i></a> In: legacy.com vom Dezember 2015.</span>

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<li id="cite_note-Sullivan-2"><span class="mw-cite-backlink">↑ <sup><a href="#cite_ref-Sullivan_2-0">a</a></sup> <sup><a href="#cite_ref-Sullivan_2-1">b</a></sup> <sup><a href="#cite_ref-Sullivan_2-2">c</a></sup></span> <span class="reference-text">Paul Sullivan: <a rel="nofollow" class="external text" href="https://www.nytimes.com/2017/05/19/your-money/talking-to-children-about-inheritance.html"><i>How the Wealthy Talk to Their Children About Money.</i></a> In: <a href="The_New_York_Times" title="The New York Times">The New York Times</a> vom 19. Mai 2017.</span>

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<li id="cite_note-3"><span class="mw-cite-backlink"><a href="#cite_ref-3">↑</a></span> <span class="reference-text">Toni Schlesinger: <a rel="nofollow" class="external text" href="https://observer.com/2007/10/met-curator-lives-in-neogeorgian-splendor/"><i>Met Curator Lives in Neo-Georgian Splendor.</i></a> In: <a href="The_New_York_Observer" title="The New York Observer">The New York Observer</a> vom 23. Oktober 2007.</span>

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<li id="cite_note-4"><span class="mw-cite-backlink"><a href="#cite_ref-4">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.fessenden.org/news-detail?pk=758054"><i>Alumni Gather Around the Country.</i></a> In: fessenden.org vom 31. Januar 2012, Bild 2/6.</span>

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<li id="cite_note-adafca-5"><span class="mw-cite-backlink">↑ <sup><a href="#cite_ref-adafca_5-0">a</a></sup> <sup><a href="#cite_ref-adafca_5-1">b</a></sup> <sup><a href="#cite_ref-adafca_5-2">c</a></sup></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://adafca.org/events/the-legendary-elsie-de-wolfe-fact-and-fiction-by-design/"><i>The Legendary Elsie de Wolfe: Fact and Fiction by Design.</i></a> In: American Decorative Arts Forum Northern California vom 13. Oktober 2015.</span>

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<li id="cite_note-6"><span class="mw-cite-backlink"><a href="#cite_ref-6">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://legionofhonor.famsf.org/calendar/guest-lecture-legendary-elsie-de-wolfe-fact-and-fiction-design-jared-goss"><i>Guest Lecture: „The Legendary Elsie de Wolfe: Fact and Fiction by Design“, by Jared Goss.</i></a> In: <a href="Legion_of_Honor_(Museum)" title="Legion of Honor (Museum)">Legion of Honor</a> in <a href="Fine_Arts_Museums_of_San_Francisco" title="Fine Arts Museums of San Francisco">Fine Arts Museums of San Francisco</a>.</span>

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<li id="cite_note-7"><span class="mw-cite-backlink"><a href="#cite_ref-7">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.artdeco.org/jared-goss"><i>What is Art Deco?</i></a> In: Art Deco New York Journal, Band 1, Ausgabe 1, Art Deco Society of New York, New York City 2016, S. 2.</span>

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<li id="cite_note-8"><span class="mw-cite-backlink"><a href="#cite_ref-8">↑</a></span> <span class="reference-text"><a rel="nofollow" class="external text" href="https://www.classicist.org/articles/top-museums-in-america-for-the-icaa/"><i>The Top Museums in America for the ICAA.</i></a> In: Institute of Classical Architecture & Art vom 19. Mai 2020.</span>

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Normdaten (Person): <a href="Gemeinsame_Normdatei" title="Gemeinsame Normdatei">GND</a>: <span class="-print"><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/1060734095">1060734095</a></span> | <a href="Library_of_Congress_Control_Number" title="Library of Congress Control Number">LCCN</a>: <span class="-print"><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/no2013110012">no2013110012</a></span> | <a href="Virtual_International_Authority_File" title="Virtual International Authority File">VIAF</a>: <span class="-print"><a rel="nofollow" class="external text" href="https://viaf.org/viaf/307448468/">307448468</a></span> | </div>

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